Current and future situation of the Audiovisual Industry. Independent producers, production houses, Hollywood and OTT platforms producing works. Other industry players; distributors, international sellers, international agents. Film festivals their role. The role of streaming platforms. Growing importance of content. The incidence of technology in terms of new exploitation windows versus traditional marketing. What is coming

Differences between Audiovisual work as a work protected by Copyright and Videogram as Related Right: definitions and generalities. Content, traditional notions of copyright and related rights in the digital environment. international context. Essential characteristics of economic and moral rights. Main players within the audiovisual work and the videogram: Authors, Producers and Interpreters. Rights and legal solutions to understand the business. Types of works, works of fiction, documentaries and animation. Types of videograms.

What role do legal aspects play in an audiovisual project? Documentary management of an audiovisual work, importance of the chain of ownership.

Stages in the production of an audiovisual work. Development, pre-production, production and post production. Main contracts: Co-production, Scriptwriter and Director. Characterization, main provisions and obligations of the parties.

Pre-existing work contract and first option contracts. Definition and main issues contemplated in Production contracts. Actor contracts above the line ATL and actor contracts below the line BTL, extra contracts, technicians, location contracts, contracts with technicians. Etc. Main clauses, points to negotiate.

Pre-existing music sync contract. Who must grant the authorization. Relevant clauses. Music commission contract for the audiovisual work. Relevant clauses and good practices.

Post-production stage issues to take into account, contracts with the laboratory, and dubbing contract. Editing and editing contracts. Music contract.

Principles regarding contracting for the exploitation of audiovisual works. Different forms of exploitation and types of contracts. Economic conditions. Marketing and digital distribution. Exploitation and distribution in the digital environment. Artificial intelligence, Metaverse and the audiovisual.

Importance of collective management for the audiovisual. What collective management entities exist and what rights do they manage? Compensatory remuneration for private copying.

Forms of financing, aid funds and incentives, what they are and how they operate. International co-productions.

Analysis of jurisprudential cases related to the audiovisual.